Kim Firmston here and now
Like this site? Let others know.
  • The Home Front
  • Classes and Camps
  • My Books
    • Creep Con
    • Stupid
    • Boiled Cat
    • Touch
    • Hook Up >
      • Novel Study
    • Schizo
    • Current Projects
  • Fun
    • Multi-Media Projects
    • The Cork Board
    • Photos
    • Free Scripts >
      • Skits
      • One Act Plays
    • Teaching and Writing history
  • Contact Kim

Write Every Day and Finish

6/18/2015

0 Comments

 
Okay, not the most unique advice out there. But, as a teacher and mentor, I meet a lot of young writers spinning their wheels. They are either waiting for inspiration - those divine days where all you can do is write the muse hits you so hard. Or they have made it to the middle, or three chapters in, or just past the part they had super planned . . . and they're stuck. No idea where the compass lies. Or, after a busy day of school or minimum wage job, they are too tired to even attempt writing. All of these are good reasons not to write and more importantly, not to finish what they've started. However the truth is the blocks to writing are not as solid as they seem.

I've gone through all of these. I've seen the dark days when the muse is gone. When a thirteen hour or even sixteen hour work day, eight days in a row, left me so sapped there was no room in my brain for words. I've had writing rooms so dark and uninspiring I didn't want to go in there and do what needed to be done. I've seen plots and scenes where the characters wander and nothing is happening. I've laid down my pen in defeat.


But that's not how you become a writer.


Luckily for me, I realized something. That annoying phrase those "real" writers were always spouting, "Write every day." was true. That was, if I was going to follow my dream of being a "real" writer, and by real I mean professional. I had to write, every day, no matter what.


So what does it mean, write every day? In my world it doesn't mean pen to paper or fingers to keyboard, nor does it mean a set words or a set amount of hours (unless a deadline is looming. What it does mean is that I am mindful of my work every single day. If I don't have time to throw down with the muse, I'm thinking of the next scene or couple of scenes. I work out problems over dishes, expand characters on the bus, and plot in the shower. Then when I do write - I'm ready to go.


But how does that help the museless, the uninspired, the perpetually exhausted? Well, answer this, "How bad do you want it?" How bad do you want to be a "real" writer? How far are you willing to go to chase that dream, to see this story in print? Because I've been there. I've had the stuck story, the year long writer's block, the exhaustion where I thought I was going black and white like some fuzzed out TV. None of them are a good enough reason not to write. You can make it into an excuse - but it's a lie.


If you're to0 tired when you get home from work, switch your schedule. Write before you leave, then when you get home, have supper and go to bed. I've done it. Working at a daycare left me seeing double. So I started getting up at three in the morning and writing for three hours, then heading to work. Social life? Not much. Finished play ready for stage? You bet. And that was glorious, seeing that thing up there and hearing the applause when the actors took their bows.


If you are uninspired, suck it up. I'm very rarely inspired in the beginning. Mostly I'm tired, and the screen is hurting my eyes, and I don't think I'm going to be able to pull it off. The muse only comes once I get going, and sometimes not even then. Being a professional writer doesn't come by magic, it comes after a long hard slog. So get slogging. Writers don't get finished by whining.


If your story, plot, character has fizzled out - don't stop and try a new story. Finish! Even if it's all coming up crap. Finish. Trust me, it will look better after you complete your project, put it away for a month or two. Or at the very least, it will be fixable. Instead of quitting, look over your plot and ask yourself, "what does my character want, why do they want it, and what is stopping them?" Basic goal, motive, conflict (GMC) stuff. If you have that, then look at the scene you're writing. Each scene will have the same thing (though maybe different from the over arcing plot). Finding GMO will banish pretty much any stalled out scene and evaporate most writer's blocks. 



And if that doesn't work, look at your narrative structure and your theme. Do some character sketches. Do some plotting. Story doesn't happen with out pre-work, and sometimes you have to go back and get it done.

But the basic message I want to get across here is this: If you want to be a writer you have to write. No excuses. No whining. No waiting for some tingly feeling that only comes very rarely. Write everyday and finish what you start. 


Now get slogging and follow that dream. You can do it. I believe in you.
Picture
The muse is not always with me. Sometimes we're butting heads.
0 Comments

Editing

2/28/2014

0 Comments

 
Ug! Editing!
I always both dread and look forward to it. The little tweaks are pretty easy and I love seeing how they tighten up my work and make me look good. That is, if not too many things change. If that happens - then I have to get my nose to the ground and track down the entire plot line to make sure things aren't repeated or lost or dropped. 

The other kind of editing is the big stuff. The kind where whole parts or large themes need to change. Where the last half of the novel just isn't right or a whole character (or two) need to be eliminated. Then it's time to reach for both the antacids and the Tylenol.

The trouble with these big edits is that there isn't a map to follow. Sure the editor, if that's whose guiding these edits, may give you some idea of how to proceed. But more than likely, they won't. It will all be up to you to dismantle the novel, rip out parts, remake them, and try to fit the whole thing back together again into a smoothly working machine. Unfortunately at this point things can get irrevocably destroyed - purely because so much is going on.
I always look at writing a novel like weaving. There are a bunch of threads representing plot lines, characters, antagonists, hints, trails, red herrings, etc. And each one has to weave between all the other threads. In the end they have to look like a tapestry with no knots, holes, or threads - which start out but don't go anywhere. And it's hard. Especially when you've finished and the picture looks good until you get a really good look at it and see the flaws (or someone else points them out to you). Undoing the whole thing sets up the chance for tangles and knots. Or worse, a whole thread disappearing. And that's not even taking into account all the new  threads coming in.
So I hit the paper. Plot and map. Hope things are going to become clear by the end while I spread each thread carefully out and weave them back in properly. By the end of the process, things generally look good. The panic goes away. The tears dry up. And the novel, that was such a mess just a month ago, looks like a novel again. 
I always say, you can't fix what isn't there. First drafts, however abominable, have to hit the page before the real work can begin. But that doesn't mean editing is the easy part. It's not. It's just as hard as the first draft. In fact, I don't really think there are any easy parts to writing.
So what does that make me? I struggle with my writing but I still love it. I get an adrenalin rush every time I figure out an issue, solve a puzzle, or figure out how to really put one over on my reader. I get a buzz when the novel is put back together and all the parts snap into place and start to hum perfectly. When the picture is complete and it's smooth and masterful. For me, writing is like an extreme sport - luckily with only mental danger. I'm not that coordinated.
Yeah . . . Editing, ug! But I love it. I really, really do.
0 Comments

Two Truths and a Lie

1/18/2013

0 Comments

 
Two truths and a lie – ever played it? It’s a game where you say two things that are true about yourself and one thing that isn’t and the people you are with try to pick out the lie. The more detail the lie has, the more it tends to be believable. It’s like that in writingThe more details you add, the more senses you use, the more you know about your subject – the more your writing sounds real.

I was writing a creepy scene where my main character walked through a rather rundown neighborhood in London, England. I had never been to this neighborhood in my life. The last time I was in England, I was twelve and nowhere near this place. So to research I found a walking tour on the internet. It was just visuals, but it gave me a good impression of things. Then I read articles about the neighborhood, just a couple, for flavor. I found out about how the police handled things and what was socially acceptable. After that I picked one image for each of my senses to work into my scene. Then I plotted the whole thing out.

I think the resulting scene is one of my best works. One of the people in my critique group said, “I can really tell you’ve been there.” That made me happy. So bring the techniques of two truths and a lie into your work and see just what it can do.
0 Comments

First Draft - Editing

7/16/2012

1 Comment

 
First draft – A Rubik’s Cube found under the bed. Dirty black sock stuck to one side with dried root beer. Half a decal torn off. Cheese Doodle dust stinking of underarms and stale closets giving a fuzzy orange appearance.

Editing – Pull off that sock. It just complicated the plot. A side character that, while funny, didn’t do much for the overall story line. Wipe off the gooey brown root beer. The words were sweet but cloying. They weren’t original, finding their prose in the cliché and over used. Chip off those decals. Brilliant red, orange, yellow, blue, green. Put in place curry in a bed of rice, sweaty camel’s back, desert sand under moonlight, silk snapping in the wind. Paint careful pictures on each black square. Sand away hard edges. Be subtle and clever in your plotting. Sharpness is only left for chases and hard words spoken between lovers. Pull away a cube or two. Show the heart of the story. Sprinkle gems of plot – a path to follow. End with a gentle, short, swoop leaving the reader crying more, again.

The first draft – you cannot fix what is not there. Editing –words must be written to be rewritten. Be patient with yourself writer. Never expect more than a Rubik’s Cube found under the bed for your first draft.

1 Comment

    Kim Firmston

    Writer, Teacher, Mutant. What more could you want?

    RSS Feed

    Archives

    June 2018
    October 2016
    August 2016
    June 2016
    April 2016
    October 2015
    September 2015
    August 2015
    June 2015
    May 2015
    April 2015
    March 2015
    October 2014
    August 2014
    June 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    July 2012
    June 2012
    May 2012
    April 2012

    Categories

    All
    2012
    2013
    2014
    2015
    2016
    2018
    Animation
    Boiled Cat
    Book Launch
    Books
    Camp
    Characters
    Conflict
    Cork Board
    Creating Characters
    Creep Con
    Dear Lucky Agent Contest
    Doug Mccormic
    Editing
    Fear
    First Draft
    Free One Act Plays For Kids
    Free Plays
    Girl Guides
    Goal
    Hook Up
    Jamie Lewis
    Kids
    Kim Firmston
    Labrador City
    Lorimer
    Motive
    Plot
    Reading
    Rejection
    Reluctant Reader
    Resource Links Magazine
    Review
    Scenes
    Schizo
    Senses
    Setting
    Sidestreets
    Stupid
    #TDBookWeek
    Teaching
    Teaching Writing
    The Aversion Bureau
    The Canadian Children's Book Center
    Touch
    Wordsworth
    Writing
    Writing 101
    Writing Camps For Kids
    Writing Camps For Teens
    Writing Setting And Senses
    Young Writers

    RSS Feed

Powered by Create your own unique website with customizable templates.