Boiled Cat is launched. I’ve managed to get another book proposal in to my publisher for a little novel I call Stupid. Now it is that time of the  year when I start prepping my classes.
I work all summer. I teach at various summer camps such as WordsWorth, DramAntics, and RIO. And what do I teach? Writing of course. But not just any writing. I like to use play to teach. So in my classes we play  writing.
That probably sounds strange. I mean how do you play and write at the same time. Well, it’s pretty easy. I think of the lesson I would  like to get across, be it incorporating more senses into one’s work, or learning to pump more tension in to an action scene. Then I think of a way to get bums out of seats and up and moving. Bringing the lesson to life.
For senses I’ve done blindfolded hiking and  tasting/smelling/touching/hearing crazy stuff. For tension I’m thinking of firing live water guns at my students while they run around trying to write in  a notebook. Not everything I do works. But I do try everything. And even if it  doesn’t work 100 percent, we have fun and writing comes off as a positive  experience. Which is success in my book.

Two truths and a lie – ever played it? It’s a game where you say two things that are true about yourself and one thing that isn’t and the people you are with try to pick out the lie. The more detail the lie has, the more it tends to be believable. It’s like that in writingThe more details you add, the more senses you use, the more you know about your subject – the more your writing sounds real.

I was writing a creepy scene where my main character walked through a rather rundown neighborhood in London, England. I had never been to this neighborhood in my life. The last time I was in England, I was twelve and nowhere near this place. So to research I found a walking tour on the internet. It was just visuals, but it gave me a good impression of things. Then I read articles about the neighborhood, just a couple, for flavor. I found out about how the police handled things and what was socially acceptable. After that I picked one image for each of my senses to work into my scene. Then I plotted the whole thing out.

I think the resulting scene is one of my best works. One of the people in my critique group said, “I can really tell you’ve been there.” That made me happy. So bring the techniques of two truths and a lie into your work and see just what it can do.